So, I usually don’t pay any attention at all to unsolicited emails, but this one came through a trusted source, so I looked.
She sent me a link to a page that has MORE links. But these links are for Free Commercial Use Fonts.
Caveat: I have not tested all the links on this page, nor have I read all the licensing, but the few I tested link to legitimate sites, and there’s a variety of really excellent fonts on this list, so I had to share.
As many of you know, I’m not a fan of upgrading my operating system for a great deal of time after the release of any new ones. Currently, I’m using Sierra 10.12.6, and will be continuing to hold off on upgrades. However, some people have either upgraded already, or have bought new equipment that comes with the new OS already installed.
For users of Adobe Creative Cloud products (as well as several other developer’s products), High Sierra has introduced quite a few bugs that need to be resolved.
Fortunately, Adobe has a page about compatibility issues with several of their products, with some workarounds and temporary fixes, until they resolve the problem with a CC update.
This is a known issue. For those of us who used Export>PNG for high rez output, this seems to be broken in the new release of Illustrator CC2018. This seems to only affect people who chose to “Import Previous Settings and Preferences” when upgrading.
I just got back from the AMAZING Adobe MAX conference in Las Vegas, NV. Perhaps you caught some of my social posts on the events!
This MAX introduced a bunch of new device apps and updates, as well as desktop apps. BUT, it’s very important for some people to retain their older versions, when upgrading their apps. The default behavior is to overwrite previous version with the new version – for instance, if you install the new Photoshop CC, you’ll be overwriting Photoshop CC2017 with Photoshop CC2018!
If that’s okay with you, great! But, if you’re like me, and prefer to wait until bug fixes are in, but still want to see (and get used to) some of the amazing new features in the new version.
Here, I’m going to add a set of images to ensure you see WHERE to adjust your choices so you can ensure to keep your OLD version while also installing the new version. Don’t forget to comment, if you have any questions! Or, ask on our facebook page: https://www.facebook.com/aym4training
When you open the Creative Cloud app, either from your Menu Bar on a Mac, or your Task Bar on a Windows machine, you’ll see a list of applications that’re installed on your computer, and the option to update those that have new versions available. Note: in previous versions of the Creative Cloud apps, my “previous versions” were listed as a separate section of the updaters, but now, they’re all listed by app)
In this case, I’ll be updating my Adobe Illustrator application. When you click the Update button, you’ll get a window that looks like this – at Which Point, you’ll want to EXPAND THE ADVANCED OPTIONS SECTION! NOTE: If you want to retain your older version DO NOT select the Update button yet!
In the Advanced section, be sure to UNCHECK the “Remove old versions” button (on by default)!
At this point, you can select the Update button. Your NEW version of the software will be installed, and it will leave your older version installed as well. Personally, I like to import my previous settings and preferences from previous versions, and tweak them in the individual apps to accommodate any changes, but that’s a matter of personal preference.
Hopefully, this will save some of you the pain of encountering some of the inevitable bugs associated with upgrading, or will allow you to work in your older versions of the applications you use, so you may collaboratively share files with others who may not have updated yet.
This week, Adobe is having it’sAdobe MAX conferencein Las Vegas, NV. I’ll be working as a Teaching Assistant for several classes, and according to the conference schedule, anticipate being kept VERY busy for the week! I’m looking forward to it, very much – and anticipate I’ll be “paying” for the worthwhile time with some exhaustion for the entire following week!
I do hope that some or many of my students and colleagues will be attending this event, and if so, please seek me out – I’d love to see you! I’ve been assigned to TA the classes named B342 – Photoshop Magic: Making Brushes to Speed Up Your Workflow, and B341 – Photoshop+After Effects = Awesomeness (multiple bookings of each in my schedule). I’ll also be attending other classes with some of my favorite speakers/writers and Adobe Evangelists.
I hope to see you at the conference, if you can make it, and I’ll do my best to respond to questions and such, as time allows. Have a great week!
For my students who need to practice the Pen Tool, Adobe’s created an adorable online game to practice it’s usage. The pen tool is important in Adobe Illustrator (of course), but also in Photoshop, After Effects, Premiere, InDesign, Animate… there’s a version of it in almost every Adobe App!
For students who plan on attending classes using trial software, this notice is extremely important. Please note that if you intend to do so, you’ll want to hold off on installing the necessary application until just before your class is scheduled to begin. Otherwise, you’ll be required to enter their Subscription Program to continue usage throughout your class time.
On May 9th, Adobe posted:
Update on Creative Cloud Trials
Adobe provides free trial periods for Creative Cloud in order to allow individuals to download, evaluate and try Creative Cloud before deciding to become a Creative Cloud member. In order to ensure that trial lengths align more accurately with how trials are being used, we are making some adjustments to the program.
Beginning May 9th, 2016 the length of the trial period for Creative Cloud will be standardized worldwide to 7 days.
Individuals currently evaluating Creative Cloud via a trial will not be impacted.
As most of my design and graphics students know, I’m a bit of a type geek. In almost every class, even if it’s not in our regular syllabus, I try to include at least a brief introduction to Type as Design – or, Typography.
And, you probably also know how I stress the idea of kerning – the way individual letterforms fit together, as a method of refining your work, adding a cohesive look and confirming that you’ve taken some time and put in some effort at making your type look good, as well as read well.
Today, I found an excellent infographic at Digital Synopsis.com, that may help you to make better decisions about how to improve your Headers, your Titles, and all display type. Take a look!