During the redesign of my site, I didn’t want you to miss out on the great things I see and recommend for my clients, students, and interested parties.
As you know, although I teach how to make some amazing graphics, sometimes I feel that incorporating pre-created work and altering it for your own design uses, or using them straight out is a time-saver. For the practical designer, this is a great place to start and work.
DesignBundles.net is affiliated with FontBundles.net. Both websites offer beautiful design elements and unique fonts with full, commercial licenses at EXTREMELY affordable pricing. I love their work, and am a fan. If you sign up for emails on their site, they’ll also offer you weekly freebies that can NOT be beat!
While perusing their offerings, I saw these BEAUTIFUL Watercolor Vector Styles that can be applied to any stroke or brush in Illustrator to make completely unexpected art. Thought you guys might be interested, so take a look at them HERE!
If you value your time, you can’t make these yourself for the $15 they’re charging!
This week, Adobe is having it’sAdobe MAX conferencein Las Vegas, NV. I’ll be working as a Teaching Assistant for several classes, and according to the conference schedule, anticipate being kept VERY busy for the week! I’m looking forward to it, very much – and anticipate I’ll be “paying” for the worthwhile time with some exhaustion for the entire following week!
I do hope that some or many of my students and colleagues will be attending this event, and if so, please seek me out – I’d love to see you! I’ve been assigned to TA the classes named B342 – Photoshop Magic: Making Brushes to Speed Up Your Workflow, and B341 – Photoshop+After Effects = Awesomeness (multiple bookings of each in my schedule). I’ll also be attending other classes with some of my favorite speakers/writers and Adobe Evangelists.
I hope to see you at the conference, if you can make it, and I’ll do my best to respond to questions and such, as time allows. Have a great week!
For my students who need to practice the Pen Tool, Adobe’s created an adorable online game to practice it’s usage. The pen tool is important in Adobe Illustrator (of course), but also in Photoshop, After Effects, Premiere, InDesign, Animate… there’s a version of it in almost every Adobe App!
InDesignSecrets.com has shared a link to a script that FINALLY allows us to rotate selected characters INSIDE a text box in InDesign. The text remains editable and the effect can be applied to individual letters, selected character, and/or dingbats. So VERY handy!!!
As my Photoshop students have already learned, brushes can be made using any set of pixels and can be manipulated almost unendingly with the Brush panel. But sometimes, it’s very helpful to have a starting point. Grutbrushes.com provides some beautifully made starting points! The detail and settings of his brushes are unique in their realism and detail in use. They work well with just a mouse, but like any brush, take on their real strengths when using a pen tablet like the Wacom brand of tablets.
Normally, I pass by a lot of the ads I see on Facebook, but a few months ago, I decided to click on one and found an excellent resource.
At Grutbrushes.com, the (very responsive) developer Nicolai has made sets of brushes, ranging from inks to calligraphy, to natural media, and more. He even provides a PhotoshopExtension to open a panel in which you can organize your brushes into sets as you like them. Just recently, I used just one of his cloud brushes in a project, and created very realistic clouds. He offers a LOT of freebies, and if you sign up for his email list, you can get even more. He sells sets of them as well. His full set is a VERY reasonable $22.
Remember, all of the brushes are just starting points – Presets – from which you can use the Photoshop Brushes panel to manipulate them, resize them and alter how they work.
You all know, I LOVE Free stuff – and here, there’s a plethora of freebies along with the paid content. I think any Photoshop user will find a great deal of use and enjoyment of these. Plan on seeing some lessons on this within a few weeks.
As most of my design and graphics students know, I’m a bit of a type geek. In almost every class, even if it’s not in our regular syllabus, I try to include at least a brief introduction to Type as Design – or, Typography.
And, you probably also know how I stress the idea of kerning – the way individual letterforms fit together, as a method of refining your work, adding a cohesive look and confirming that you’ve taken some time and put in some effort at making your type look good, as well as read well.
Today, I found an excellent infographic at Digital Synopsis.com, that may help you to make better decisions about how to improve your Headers, your Titles, and all display type. Take a look!
As almost all of my students know, I’m a bit of a type geek. So, imagine how fulfilled my inner geek feels, when I find blog post about Typefaces, Type Structure, Type families, Type anatomy, and Type Classification, the use of Type in Paragraphs, Typographic Terms like kerning and spacing, Page Layout and Type, and so much more!
Although this article is written with a focus on software development, the article is about DESIGN. Knowing what you’re using, and why. As I always say “in design, you can always break the rules, but first you have to know what the rules are!”
I seriously recommend this article to all my design students, my motion graphics students, my still image students, and anyone else who feels that Type is more than just a way to make a word show up.
According to an Adobe Blog, Adobe is about to cease support and updates for it’s Edge tools, including Edge Reflow, Edge Inspect, and Edge Animate. Some of their functionality will be implemented within Adobe Dreamweaver and Adobe Muse – and will also be covered in Adobe’s upcoming Flash Pro replacement, Adobe Animate – which is due out in January.
Creative Cloud members cans till download and use the Edge products, , and security updates will still be implemented
In a recent article on InDesign Secrets, I can finally find the reason why so many of my InDesign classes have been having font errors when using files from the Adobe courseware. It seems that InDesign – and all of the Adobe programs, for that matter, are no longer installing the fonts that used to come with the programs! I’ve been using Adobe programs for too many years than I want to count, so of course, I have the fonts installed, but so many of my students are downloading demo software for their classes, and work in an environment with security limitations, so they can’t easily access Adobe’s Typekit (part of the Creative Cloud suite).
In my opinion, this is a terrible move on Adobe’s part, and I can’t quite figure out why they’re choosing to do it. Over the years, I’ve seen Adobe seemingly losing touch with their users in quite a few ways, but in software that’s ABOUT design, I can’t imagine what they’re thinking.
As for me, I’ve backed up ALL of my installed fonts into a directory I use for my font management program. I suggest you do the same. If you’d like instructions for doing so, please comment on this post.