InDesignSecrets.com has shared a link to a script that FINALLY allows us to rotate selected characters INSIDE a text box in InDesign. The text remains editable and the effect can be applied to individual letters, selected character, and/or dingbats. So VERY handy!!!
https://indesignsecrets.com/free-script-to-rotate-selected-characters.php
As most of my design and graphics students know, I’m a bit of a type geek. In almost every class, even if it’s not in our regular syllabus, I try to include at least a brief introduction to Type as Design – or, Typography.
And, you probably also know how I stress the idea of kerning – the way individual letterforms fit together, as a method of refining your work, adding a cohesive look and confirming that you’ve taken some time and put in some effort at making your type look good, as well as read well.
Today, I found an excellent infographic at Digital Synopsis.com, that may help you to make better decisions about how to improve your Headers, your Titles, and all display type. Take a look!
As almost all of my students know, I’m a bit of a type geek. So, imagine how fulfilled my inner geek feels, when I find blog post about Typefaces, Type Structure, Type families, Type anatomy, and Type Classification, the use of Type in Paragraphs, Typographic Terms like kerning and spacing, Page Layout and Type, and so much more!
Although this article is written with a focus on software development, the article is about DESIGN. Knowing what you’re using, and why. As I always say “in design, you can always break the rules, but first you have to know what the rules are!”
I seriously recommend this article to all my design students, my motion graphics students, my still image students, and anyone else who feels that Type is more than just a way to make a word show up.
http://www.imaginarycloud.com/blog/a-typography-workshop/?ref=webdesignernews.com
In a recent article on InDesign Secrets, I can finally find the reason why so many of my InDesign classes have been having font errors when using files from the Adobe courseware. It seems that InDesign – and all of the Adobe programs, for that matter, are no longer installing the fonts that used to come with the programs! I’ve been using Adobe programs for too many years than I want to count, so of course, I have the fonts installed, but so many of my students are downloading demo software for their classes, and work in an environment with security limitations, so they can’t easily access Adobe’s Typekit (part of the Creative Cloud suite).
In my opinion, this is a terrible move on Adobe’s part, and I can’t quite figure out why they’re choosing to do it. Over the years, I’ve seen Adobe seemingly losing touch with their users in quite a few ways, but in software that’s ABOUT design, I can’t imagine what they’re thinking.
To view the post on InDesignSecrets.com, please visit http://indesignsecrets.com/adobe-drops-fonts-leaves-users-stranded.php
There’s an earlier article about the issue here: http://indesignsecrets.com/happened-fonts-indesign.php (which includes a work-around)
And, for a list of the fonts originally installed, and mostly still necessary, please see Adobe’s article here: http://www.adobe.com/products/type/creative-suite-6-installed-fonts.html
As for me, I’ve backed up ALL of my installed fonts into a directory I use for my font management program. I suggest you do the same. If you’d like instructions for doing so, please comment on this post.
For my design and typography students, here’s a really nice blog with some tips and ideas to improve your feel for good design, good use of typography, and maybe provide some inspiration.
http://digitalsynopsis.com/design/beautiful-illustrated-graphic-designer-tips/
So many of my design and motion graphics students become interested in type, after learning even just a little about it. Here is a GREAT example of the use of Type As Art. Well worth the watch!
Jeff Witchel, an Adobe Certified Instructor for Adobe Illustrator and a frequent contributor to Layers Magazine (which many of you know is one of my favorite resources), has created a video tutorial for the addition of Gradients to type, WHILE keeping the type editable. This is one of those un-obvious Illustrator controls (uses one of my favorite tools – the Appearance Panel) that will help a bunch of you!
http://www.jeffwitchel.net/2012/03/apply-an-impossible-gradient-to-editable-type/
As I’ve mentioned before, designers are FONT FREAKS! We never do get enough of them, do we?
So, with this in mind, MacAppware.com has offered 10 Free Commercial Use Fonts, with 10 user licenses. Nice deal! Check them out at:
Okay – so many of you who have taken my design classes have seen me “pick on” the Helvetica font. As you know, although I consider it a classic, beautiful, clean and highly versatile, I have some issues with it’s built-in kerning at large sizes, so I usually use it for my kerning lessons.
So, today, Graphics.com posted a Facebook link to a great page with 40 great logos designed using Helvetica. Now, I don’t personally agree that all of these do, in fact, use Helvetica (eg: Nestlé, even if it started as Helvetica, didn’t remain Helvetica, IMO), but if you check these out, you’ll gain some great inspiration as to the effects of tracking and kerning, color, use of space, and all things typography and design. Check it out!
http://www.webdesignerdepot.com/2009/03/40-excellent-logos-created-with-helvetica/
FontShop has made available for free download the Erler Dingbats font, which ncludes a wide range of popular symbols and pictograms such as arrows, pens, phones, stars, crosses and checkmarks, plus 3 sets of cameo figures on round backgrounds.